Tuesday, 16 October 2007
On his website http://ShootTheProjectionist.blogspot.com, Ed Hardy Jr is compiling a list called 31 Films That Give You the Willies. Readers were asked to e-mail a list of 31 films (There's 31 days in October) that scared them, arranged in decending order. Films receiving 3 votes or more were added to the final voting list, which now totals 181 movies! Now... from that list of 181, readers are again asked to select, in decending order, the 31 films that scared them the most. The results will be posted on Halloween.
The current list of 181 movies is nicely varied with some relatively obscure horror movie choices. Compiling my own selections was difficult, though it was interesting to take a look at those flicks which I found personally most effective. To be sure, there were a lot of different reasons why certain movies worked for me --- the age at which I'd seen a film, personal experience, etc.
Here's the list that I sent to Ed:
1. The Exorcist (1973; William Friedkin)
2. The Texas Chainsaw Massacre (1974; Tobe Hooper)
3. The Blair Witch Project (1999; Daniel Myrick & Eduardo Sanchez)
4. Black Christmas (1974: Bob Clark)
5. The Silence of the Lambs (1991; Jonathon Demme)
6. Don't Look Now (1973; Nicolas Roeg)
7. Halloween (1978; John Carpenter)
8. The Fog (1980; John Carpenter)
9. Deep Red (1975; Dario Argento)
10. Session 9 (2001; Brad Anderson)
11. The Tenant (1976; Roman Polanski)
12. Seven (1995; David Fincher)
13. The Thing (1982; John Carpenter)
14. Jaws (1976; Steven Spielberg)
15. Alien (1979; Ridley Scott)
16. Psycho (1960; Alfred Hitchcock)
17. Invasion of the Body Snatchers (1956; Don Siegel)
18. Night of the Living Dead (1968; George Romero)
19. The Wicker Man (1973; Robin Hardy)
20. The Vanishing (Spoorloos) (1988; George Sluizer)
21. Les Diaboliques (1955; Henri-Georges Clouzot)
22. The Shining (1980; Stanley Kubrick)
23. Onibaba (1964; Kaneto Shindo)
24. Lost Highway (1997; David Lynch)
25. In the Mouth of Madness (1995; John Carpenter)
26. Prince of Darkness (1987; John Carpenter)
27. Alice Sweet Alice (1976; Alfred Sole)
28. The Haunting (1963; Robert Wise)
29. Eraserhead (1977; David Lynch)
30. Ringu (1998; Hideo Nakata)
31. The Devils (1971; Ken Russell)
Ed has also posted a bonus list, asking for your 5 Favourite Horror Comedies, which, of course, I was happy to provide. Mine are:
1. Evil Dead 2
2. Lair of the White Worm
3. Planet Terror
4. Texas Chainsaw Massacre Part 2
5. Theatre of Blood
Though I would've loved to also include The Abominable Dr. Phibes, An American Werewolf..., Basket Case, A Bucket of Blood, Creepshow, Dead Alive, From Beyond, The Howling, The Little Shop of Horrors (original), Night of the Comet, Night of the Creeps, Piranha, Re-Animator, Shaun of the Dead, Squirm, and Spider Baby..., I didn't.
I love gialli. They take their name from a style of books published in Italy and printed with predominately yellow covers (Giallo is Italian for yellow). These books were written by mystery writers like Edgar Wallace.
Their filmic counterparts are said to have originated with Mario Bava's "The Girl Who Knew Too Much" (1963). They feature obscured killers, frequently wearing black raincoats or similar garb, wielding razors or other weapons. The villain(s) often call the hero/heroine, giving warnings via the telephone in a disguised voice. Sometimes they whisper threats through a locked door. The heroes/heroines have usually witnessed a murder, but can't quite recall the most important clues until the film's climax. These flicks are stylish, exciting, spooky, and rarely make a lot of narrative sense. An atmosphere of sex and violence is usually implied if not in your face. They also frequently have elaborate and evocative titles like "The Bird With the Crystal Plumage", "Death Walks in High Heels", and "The House With Laughing Windows".
Now you can join Mario Bava, Dario Argento, and Luciano Ercoli by playing giallo director. Cut and paste the link below to generate your own giallo:
Friday, 12 October 2007
It's been years since I saw the original Airport on TV. Here's why I haven't revisited it: It takes itself entirely too seriously (It has an all-star cast, after all), and it's got the classic disaster movie formula all wrong for my tastes. See, in my kind of disaster flick, we meet a variety pack of characters, then half an hour in, disaster strikes, and we spend the rest of the film watching celebs try to escape. Airport saves its disaster for the end. I guess it follows the Hitchcock example of suspense over shock (A group of people sit around a table, talking. Suddenly, a bomb goes off. That's shock. A group of people sit around a table, talking. Cut to a bomb. Cut back to the people. Back to the bomb. Etc. That's suspense.).
The film, based on the best-seller by Arther Hailey, features a soap opera-y plot about pilots, flight attendants (they were stewardesses then), airport authority figures (i.e. George Kennedy, the only actor to appear in all four Airport movies), passengers, and a depressed on-board bomber (I remember feeling really sorry for the bomber's wife when I saw this flick.). The celebrities on and off board include Burt Lancaster, Dean Martin(!), Jacqueline Bisset, Jean Seberg, Maureen Stapleton, Dana Wynter, Van Heflin, and Helen Hayes.
Though Airport feels more like a drama than a disaster movie, and it doesn't even feature a ballad sung by Maureen McGovern, credit where credit is due, it really did kick off the 1970's disaster movie craze.
Airport 1975 (1974)
Now this is the reason I own this 4-movie set. Airport 1975 follows my preferred disaster movie formula (1. intros, 2. disaster, 3. survival), and it's a great bad movie. Plus the cast is terrific disaster movie fodder: Karen Black, Charlton Heston, Linda Blair (as an in-transit liver transplant recipient), Helen Reddy (as a singing nun), Gloria Swanson, and a zillion other recognizables, including George Kennedy.
When Dana Andrews has a heart attack while flying his small private plane, he crashes right into the cockpit of a Boeing 747, killing the pilot and co-pilot. It's up to stewardess Karen Black (yay, Karen!) to land the plane with the help of her pilot boyfriend, Charlton Heston. (Black's plea of, "Something hit us... The crew is dead... Help us, please, please help us! " adorned Airport 1975's cool poster.) Heston first tries to help Black by coaching her via headset, but when that doesn't work, he has himself lowered into the plane through the hole in the cockpit (Hello, Freud!). I love it.
Yeah, it's bad, but it's really entertaining (which is more than I can say for respectable films like "Out of Africa"), so what more do you want? Oh yeah, it's got a era-centric theme song with soaring violins. Makes you feel like you're flying through the clouds, your stewardess scarf fluttering in the wind over your shoulder. Oh no! Now it's in your eyes. You can't see ! Watch out for that jumbo jet!
Airport '77 (1977)
After the '75 model Airport flick, this is probably the next most entertaining, and its plot is even more ludicrous. A jumbo jet loaded with celebrities crashes into the ocean... and sinks! Art thieves are responsible, but that doesn't really matter. That the airplane stays together underwater for 90 minutes is a feat of aero-engineering (does that term/job exist?). Eventually the soggy jet is raised from the bottom of the ocean floor.
As a kid, I was horrified by the notion of being trapped undersea in an airplane. How dare the filmmakers exploit my fear of flying AND of drowning?!
James Stewart, Jack Lemmon, Lee Grant, Olivia De Havilland, and Christopher Lee fill in the little cast picture boxes on the movie poster. George Kennedy does too.
The Concorde: Airport '79 (1979)
Ding dong! That's the death knell of the Airport series, rung by this putrid blue screen mess. It's like a whole bunch of airplane disaster movie elements were written down on cards, thrown into one of those bingo ball-spinners, and pulled out randomly to create the plot and casting.
The Concorde: Airport '79 commits the cardinal movie sin: It's uninteresting. And that's with Charo on board. With a poodle. Evading rockets. With George Kennedy's help. And it takes place on a Concorde. At least Sting isn't on-board like he was when the real Concorde flew its last flight. He would've brought his lute. And that would have been the high-point. That's all I've got to say about this.
(1985) Griffin Dunne stars in this fine Martin Scorsese-directed blind date nightmare set in New York's Soho area. Dunne meets a woman in a cafe, gets her number, then meets up with her later. The date goes from promising, to bad, to worse, to worser. Terrific black comedy (It's really a blend of black comedy and film noir) has great cast including Rosanna Arquette, Linda Fiorentino, Teri Garr, John Heard, and Cheech and Chong. Yes, Cheech and Chong. It was written by the guy who wrote another great black comedy, Vampire's Kiss, starring Nicholas Cage.