Paperbacks from Hell: The Twisted History of ‘70s and ‘80s Horror Fiction

Slime, The Mime, Toy Cemetery...

Released in September of this year, Grady Hendrix’s Paperbacks from Hell: The Twisted History of ‘70s and ‘80s Horror Fiction (with Will Errikson) not only brought back a lot of memories and introduced me to some new (old) must-reads, but it also sheds a light on an essential chapter of modern horror history. Working from the premise that a trilogy of horror novels – Rosemary’s Baby by Ira Levin, The Exorcist by William Peter Blatty, and The Other by Thomas Tryon – kicked started a run on pulp horror fiction, this book is probably the last word on the topic.

Paperbacks, wisely, leaves the reader to engage with his or her own predilections when it comes to the titles under discussion, not necessarily delving into what could be called mainstream ideals of quality. There's a certain understanding that the books included here operate on their own plain when it comes to such things. Paperbacks also does an outstanding job of juggling information about the writers, the trends, and the artists behind these works, while at the same time providing plot descriptions (which amounts to giving recommendations – if you like the description, why not try the novel?) and a wealth of images that nudges this book into art book territory.

The author of Horrorstör and My Best Friend's Exorcism, Hendrix's enthusiasm for the subject is catching. Since reading this book, I’ve read five of the novels found within its pages, with a pile more accumulating on my nightstand. Whether you pick up this book for nostalgia, information, or out of blind curiosity, it’s a sure bet to become a mainstay of the horror library canon.

More Favourite Horror Flicks, Alphabetically: Funny Games

Funny Games

Dir: Michael Haneke. Cast: Susanne Lothar, Ulrich Mühe, Arno Frisch, Frank Giering & Stefan Clapczynski. 1997

In writing about each of the flicks that I’ve included in More Favourite Horror Flicks, I came to a dead stop when I reached Funny Games. If you look at the date of my last post in this series – September 20, 2016 – you’ll get an idea of just how difficult I find writing about this film. The truth is, I just didn’t want to. Funny Games is not a pleasant film, nor is it a fun one. It is, however I think, an outstanding one.

A difficult watch, Funny Games tells the story of a family – wife, husband, son – that is terrorized by a couple of arrogant and psychotic youth. Things you don’t want to happen do happen. The fourth wall is broken to implicate the viewer in the mayhem. It’s engrossing, to be sure, but it’s also deflating. And it’s entirely engrossing.

One of the great strengths of Funny Games (I’ve not seen Haneke’s American remake with Naomi Watts and Tim Roth – I don’t see the point) is that you react to it. Strongly. My experience of it is that I became so engaged that I felt like what was happening on screen was happening to me, to people I cared about. It’s a weird and unpleasant immersion that is so strong that it rises above the despair it presents and emerges as a work of truly exceptional moviemaking.  

 Whew! It feels great to finally get that done.