Showing posts with label John Carpenter. Show all posts
Showing posts with label John Carpenter. Show all posts

Wednesday, 8 September 2021

More Favourite Horror Movies, Alphabetically: The Thing

 The Thing

Dir: John Carpenter. Cast: Kurt Russell, Keith David, Wilford Brimley, Donald Moffat, David Clennon, Richard Masur, T.K. Carter, Thomas G. Waites, Richard Dysart, Charles Hallahan, Peter Maloney, Joel Polis. 1982.

John Carpenter’s version of The Thing is an argument in favour of the power of special effects. Though all the elements of filmmaking are firing on all cylinders and absolutely doing their jobs here, it’s the SFX that overwhelm and horrify. 


I saw The Thing twice in the theatre during its initial release in the summer of 1982. I don’t remember that first screening, but I do remember the second. Lured back into the theatre by what I’d already experienced the first time around, I convinced a friend who hadn’t seen it to accompany me. At some point during the movie she leaned over and whispered to me, “I’m afraid I’m going to have to ask you to hold my hand.” 


The Thing features an all-male cast, save for Adrienne Barbeau as the voice of a computer. I really think, intentional or not, this serves not to reinforce the machismo of the 80s action movie, but rather to add to the coldness and hopelessness predominant in the frigid atmosphere of the film. 


The Thing is about an American research station located in Antartica that has to defend itself from a shapeshifting alien that sometimes looks like some of the crew. It’s a full on jump into the depths of paranoia. But the practical special effects here, by a very young and not overly experienced at the time Rob Bottin, show us things that we truly haven’t seen before, and maybe since. It’s the closest we’ve come to putting onscreen the sort of creatures writer H.P. Lovecraft imagined. 


That’s not to say that The Thing is all effects and nothing else, but I can’t think of another film, with the exception of possibly The Exorcist, where its effects matter so much, and at times, all the other aspects of filmmaking seem to be in support of the SFX with the primary purpose of getting the story onto the screen. 



Monday, 7 October 2013

My Favourite Horror Movies, Alphabetically:
Halloween


Halloween
Dir: John Carpenter. Starring Jamie Lee Curtis, Donald Pleasence, Nancy Kyes, and P.J. Soles. 1978

Written about ad nauseam, Halloween is a superb horror flick that is lovingly crafted and delivers on its scare promise. Carpenter is adept at creating tightly knit worlds that make sense in and of themselves, that focus on straightforward plots supporting characters that are knowable, and situations, no mater how outlandish, that we can relate to. He was aided, in no small part, by excellent support and co-writing from producer Debra Hill. Halloween is, in fact, an instance of all departments working at their peak. It makes our job as an audience, to sit back and enjoy, easy. From that perspective, it seems impossible to watch Halloween without wanting to yell advice to Laurie Strode, the world’s most famous final girl.


Thursday, 3 October 2013

My Favourite Horror Movies, Alphabetically:
The Fog



The Fog
Dir: John Carpenter. Starring Adrienne Barbeau, Jamie Lee Curtis, Tom Atkins, Janet Leigh, Hal Holbrook, Nancy Kyes, and John Houseman. 1980

Imagine trying to follow Halloween. The pressure must have been immense, but in hindsight Halloween director John Carpenter succeeded with The Fog, a film that has gained in reputation in the years since its release. The opening with John Houseman telling kids (and the audience) the film’s backstory as they sit around a campfire sets the tone for what’s to come, but it’s the following sequence that seals the deal for me. In the dead of night, as its centennial dawns, things go haywire in the town of Antonio Bay. Bottles fall and shatter, gas pumps jump out of their cradles, car horns begin honking, and phones start ringing. It’s a truly creepy compilation of sound and image that warns of things to come. This sense of impending dread helps to make The Fog stand out against its classic ghost storytelling format – spectres appear to right a wrong – as do its abundant atmosphere, suspense, and the unusual characters with which Carpenter has populated the town. Of all my favourite horror films, this one may be (to paraphrase the Creepshow poster) the most fun I’ve had being scared.